![]() ![]() This shifts the emphasis on artistic endeavour from that of an aesthetic intellectual consideration of ordered thought to that of a behavioural response to a natural impulse of mind. In art this theory equates to the idea that guiding material to create a work of art suppress any hint of the original view, which is at it's most powerful when the artist acts spontaneously to create an object that holds no intelligent or intellectual meaning or value.Īt the core of modern art lies the need for the freedom to act in a raw natural way rather than through controlled learned technique. In other words, we respond to what we see around us to remove any recall of a naïve way of sensing that has become redundant and lost to us behind the ideas we learn to project over all we see and do. This implies their must have once been, and probably still is, a primary awareness at work in the depth of our minds, and that this process has become suppressed by a behavioural response that works to remove any perceptual impulses that we inherit from our distant ancestors. ![]() An original way of sensing objects is therefore considered to be hidden from us in day-to-day life by the way our intelligence transforms older impulses of mind, and the view generated for us by the intellect is built upon previously acquired ideas rather than direct experience. In philosophy of mind, naïve realism, also known as direct realism, is the idea that the senses provide us with a primary awareness of objects as they really are, but our learning and our beliefs transforms this direct view into a secondary experience in our powers of perception. Redundant Perception: An Artist's Enquiry. Art has always worked to suppress rather than reveal an original way of sensing sight, shape, sound, and movement, and it is this realisation that I believe was the motivation for challenging the established principles of art upheld by the founding pioneers of modernism. A state of mind therefore exists that once allowed us to conceive of the world in a natural way, but artists have always created intelligently structured artificial images rather than the spontaneous intuitive results need to glimpse the instinctive insight. This experience of mind now lies buried behind our modern day thought processes, and for any artist aware of this the implications are that the way we create art through intelligent learned ideas hides an experience of deeper natural form. It is also probable that our brains generate the remaining impulses from an older redundant power of perception that once gave our distant ancestors an ‘animal’ awareness of objects and events. This is known as the ‘tail-bone’ because it is considered the remains of the full tail that our ape-like ancestors once possessed. Examples would be the flightless wings of penguins and ostriches, and the vestige of a tail in we humans which is made of three small loosely fused bones called the coccyx. Art and Perception is cited by a total of 28 articles during the last 3 years (Preceding 2021).Living things often display redundant and unused appendages of physical characteristics that once served to give them an advantage in the struggle for life. It is used for the recognition of journals, newspapers, periodicals, and magazines in all kind of forms, be it print-media or electronic. The ISSN of Art and Perception journal is 22134905, 22134913.Īn International Standard Serial Number (ISSN) is a unique code of 8 digits. The best quartile for this journal is Q1. SJR acts as an alternative to the Journal Impact Factor (or an average number of citations received in last 2 years). It considers the number of citations received by a journal and the importance of the journals from where these citations come. SCImago Journal Rank is an indicator, which measures the scientific influence of journals. The overall rank of Art and Perception is 15181.Īccording to SCImago Journal Rank (SJR), this journal is ranked 0.287. It is published by Brill Academic Publishers. Art and Perception is a journal covering the technologies/fields/categories related to History (Q1) Visual Arts and Performing Arts (Q1) Applied Psychology (Q3). ![]()
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